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Posts Tagged ‘Fountain Pen Collecting’

Real Life (TM) has recently intruded on my intrest in fountain pens. Too much work. No time to practise calligraphy, no time to purchase and investigate repair equipment, etcetera. Contributing to this fact is also that I haven’t been able to make any good finds lately. I am not sure if this is because I have had bad luck, if there has been an increase of informed and financially secure people manically bidding on the pens I like, or if I am simply less likely to enter bidding wars lately, having had much else to occupy my time with.

With that said, the other week I lackadaisically bid on a brown (black) hard rubber Moore FP at the Swedish auction site Tradera. Just throwing in a low bid of app 8 dollars to see where it would end up. The two photographs (cap on, cap off) of the pen were a little blurry. Imprint, nib status and such not really clear. A bit of a gamble. To my great surprise, I won the pen. Could have been that the auction ended on a weekend before seven O’clock in the morning… Anyway, I am glad I got ahold of it.

Manufacturer/model: Moore fountain pen, a BCHR L-92. Not by any means the most fancy Moore model, but a classic shape.
Body and Section: Strong imprint: Nice wave-chasing with a tiny bit of symmetric fading at the top of the cap.
Cap: Cap closes firmly with one and a half turns.
Nib and feed: Nib says “The Moore Pen 2” I would call it a medium with good flex. Butter-smooth.

Furniture: No brassing at all! Clip yellowish gold, lever is a more reddish golden hue (maybe not original?). I love how the ball on the clip is folded together, see pic (click to enlarge).
Internal organs: J-bar intact. No sac.
Age: 1910s-20s
Scent: Classic BHR scent, a little metallic, a little burnt.
Verdict: A super nice user for a great price. I am tempted to use this pen in experimenting with recoloring the rubber back to black with the special colors available for this purpose. I do like the look of the old hard rubber pen however. In fact, I appreciate this colour more than black, but there is also tempting to restore a pen to look more like it did when it was brand new.
In other news: I have made one other nice find since starting to prepare this post. A Penol Ambassador, a very nice classic shaped black fine writer. Also from Tradera, from another collector. Post about this pen probably coming up in a while.

More pictures, close-up on back of nib and a writing sample below: (more…)

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Ever since starting this blog I have hinted on a post focusing on me finding a grail pen in the wild. I have never seen one of these on Ebay and never really anywhere else either. I have seen some similar Watermans and Mabie Todds. But never an Edward Todd BHR clipless, silver overlay pen. I am going to make a post about this pen on FPN as well, so we’ll see if I get any interesting comments or more information (please comment if you have any information!).

I found this pen in a truly sumgai way, maybe not technically in the wild since it was on the Swedish equivalent of Ebay. The main item of the auction was an extremely ugly and broken (!) ceramic pen stand glazed in a hideous beige-light brown-grey colour, “some pens included”. The pens were huddled in a miserable heap in the shadow of the monstrous pen stand. I took a chance and made a bid. I won the whole lot for less than 20 dollars (shipping included). Amazing, I can hardly believe it myself.

The metal is slightly discoloured at the breathing holes (two in the cap) resistant to polish. The BHR has become brown/olive with age. I did polish the silver (marked sterling on the cap). The pen is not marked except for STERLING printed on the barrel.

Here is a writing sample in my own bastardized Spencerian/Copperplate/nonsense scribble…

Yes! I misspelled “whiskey’s”, due to making a jumble of the last three letters…

Pen: Edward Todd silver overlay pen. Nib no 2. I dare claim this is a wet noodle. It does railroad sometimes, but not in writing the sample above. It is (of course) an eyedropper.
Computer manipulation: Exposure +0.25. Removal of stuff from left hand corner and top middle (not engaging the text).
Ink: J Herbin Cacao du Bresil. I love the shading.
Room for Improvement: I could still use some practise to perfect the readability and the flourish detailing. I would also like to have more continuity in my lines and lettering, making the end result more orderly. On the other hand, I do like a little irregularity and whimsiness as well.
Verdict: Instant feeling of I-am-not-worthy-ness and joy.

Close-up on the nib (click on the image to see it REALLY big).

One more pic (just because it is so wonderfully gorgeous) (more…)

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One of the many things I like about old fountain pens is the variety of colour. A sleek black pen with gold furniture (yep, that’s the word for the metal details…) appeals to me as well, but when collecting I have come upon some vintage pens with truly exquisite patterns. Like hard candies…

This is just some examples from my collection:

When cruising the ‘net for fountain pens (which is a world all in itself) I tend to avoid promo pens. The Swedish Ebay equivalent, Tradera, has a special category for commercial/promotional pens. Modern, plastic ballpoints of variable quality, most are junk (believe me, I use them at work).
Once, I happened to click on the wrong category and this little pen was the first item I set my eyes on:

I won it, only bidder. It says “Sundins Specerier” (translates to “Sundin’s Groceries”).
I have no idea what it is worth, how old it is or what the red and black crayons hidden inside the pen body is for, but it is just the prettiest celluoid I have ever seen! Click on the link below to see it taken apart:

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